Valentine’s Day is coming up this week, so I figured it would be fitting to have some couple-themed art on this week’s Gallery Mondays.
I saw this lovely ancient Roman sculpture of a reclining couple on Museum Mile Day last year while visiting the Met Museum on 5th Avenue in NYC. The sculpture is from the Severan period (specifically 220 AD). I actually went back to the Met this weekend but the section of the museum where this piece is exhibited is roped off, so you can’t get too close to it anymore.
Made of marble, the couple, who are supposed to symbolize water and earth, rests on a sarcophagus lid. The face of the woman is said to have not been finish because her husband died before her.
When I first saw this, I thought that this was basically the ancient version of Netflix and chill. Like, come on. Tell me that pose isn’t similar to the way couples rest on the couch or bed for a Netflix session.
The Met has plenty more romantic sculptures like this one, so if you’re looking for a date idea that isn’t Netflix and chill, you should totally head there for a day at the museum with your boo!
You can still enjoy a your Netflix and chill after you get back home, though 😉
Learn more about the sculpture here.
On this sunny Martin Luther King Jr. Day, I volunteered with City Year New York at Patrick Henry Prep (PS/IS 171 Manhattan) to paint this book cover of John Green’s The Fault in Our Stars in one of the school’s stairwells for #MLKDayofService.
I was invited to help out with #MLKDayofService by my guy, David. He served with City Year in 2015-16.
As soon as I saw the outline for The Fault In Our Stars in the stairwell we would be working in, I immediately knew I wanted to work on it for the day. I haven’t read the book, but I love John Green, and yes, I’ve seen the movie adaptation.
Now, David and definitely are not Picassos, but I think we did a pretty good job with this. Some other books that were painted as murals in the stairwells included Diary of a Wimpy Kid and Maya Angelou’s I Know Where the Caged Bird Sings. Other community service projects for #MLKDayofService involved painting college pennants, putting together health and hygiene packages, and more.
I’m really happy that the students at PS/IS 171 will come back to school tomorrow to find inspiring artwork to look at throughout the day. I know I would have loved it as a kid.
Learn more about City Year, and check out NBC’s news video that features footage of the day’s volunteer work at PS/IS 171.
P.S.: David and I are in the auditorium scenes!
Happy New Year!
I snapped a pic of this giant eye-shaped subway art at 86th Street on the 4, 5, 6 line last January. The piece is part of Czech-born artist Peter Sis’ Happy City.
From afar, this simply looks like a blue eye, and probably nothing more. However, if you get closer to it, you’ll notice a few intriguing details.
The first fun detail about this eye-shaped art is the fact that it’s outlines with the New York City skyline. In the blue sclera of the eye, there are a bunch of stars shining, which leads me to believe it represents the sky or a reflection of the night sky in a river or something.
Finally, there’s the part surrounding the iris, which features a few animals such as a pig, unicorn, and duck. There’s also a compass in the pupil.
I’m not sure what this all means, but to me it’s a sign to look closely. Things might end up being more than they seem in 2018.
Learn more about Happy City.
Remember that awesome Audubon Mural Project mural I saw a couple of months ago? The “Western Tanager” by Yu-baba? Well I found another one, this time a “Peregrine Falcon” by Australian street artist Damien Mitchell!
This mural can be found on St. Nicholas Ave. between W 147 and W 148 Street near the A, C, B, D station and M3 bus stop. I love how the falcon is depicted in mid-flight. Its eyes are also very captivating.
Watch Damien Mitchell paint the mural in the video below!
In the final minutes of the Canstruction NYC 2017 exhibit at Brookfield Place, I saw this amazing piece of can art called “We CAN Coexist”. I can’t stop thinking about it.
Created by RAND Engineering & Architecture, the piece symbolizes a rainbow of differences. From the Jewish star, to Yin and Yang and the Cross of Calvary, this rainbow promotes the idea that we can all function together as a society despite the fact that we may come from varying backgrounds. Isn’t it lovely how all these symbols can spell out the word “coexist”?
With all the hate crimes and terror attacks lately, “We CAN Coexist” really made me feel something. I’m used to seeing fun Canstruction pieces, as you saw in my post of the 2014 exhibit a few years back. I’m definitely glad I made time to see the 2017 exhibit, because pieces like this make you take a step back and think about how people are being treated unfairly just for being who they are.
Kudos, RAND Engineering & Architecture!
Learn more about Canstruction.
A couple of weeks ago, I walked past Chelsea Guitars and saw this awesome sculpture of a woman sitting outside the shop with a mini guitar in hand.
It took me a while to realize this woman is Marilyn Monroe. Boy, I’m slow sometimes!
Marilyn Monoe is wearing her infamous white dress from Seven Year Itch, the top of which is covered with one of the Chelsea Guitars Coat of Arms tee shits. So clever.
I’m not a guitar player, but I would have totally went inside if I were. Chelsea Guitars seems like a really cool shop!
Check out Chelsea Guitars online!
If NYC had an underground Halloween/macabre dance party, I think it would definitely look like Ryan Peltier’s “Knickerbocker Ave”. Especially if this underground party took place at a Brooklyn subway stop.
“Knickerbocker Ave” is one of those subway art cards I can’t stop staring at. Whenever I look at it, I notice something more and more absurdly funny every time!
The characters in this piece by Peltier are based on friends and neighbors he remembered during his time living in Bushwick, Brooklyn. The birds flying above the characters are also based on real subjects (pigeon people) he would see at the Kickerbocker Avenue stop.
Awkwardly contorted dancing aside, what is going on with the snowman-like figure in black? And the woman to his left with her hair covering half of her face? Is that even safe to be dancing so close to the yellow line with only one uncovered eye?!
See more of Peltier’s work here.
And, of course, if you like it so much that you want one for yourself, you can buy “Knickerbocker Ave” here.